Editing Music in Early Modern Germany by Susan Lewis-hammond

Cover of: Editing Music in Early Modern Germany | Susan Lewis-hammond

Published by Ashgate Publishing .

Written in English

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Subjects:

  • Composition & orchestration,
  • c 1500 to c 1600,
  • General,
  • Music,
  • Music/Songbooks,
  • 16th century,
  • 17th century,
  • Editing,
  • Germany,
  • History,
  • Music publishing

Book details

The Physical Object
FormatHardcover
Number of Pages276
ID Numbers
Open LibraryOL10852863M
ISBN 100754655733
ISBN 109780754655732

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Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern by: 5.

Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences.

: Editing Music in Early Modern Germany (): Susan Lewis Hammond: BooksCited by: 5. Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian Price: $   Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy.

Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences.

"Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences.

Editing Music in Early Modern Germany. Aldershot: Ashgate Publishing Company, xviii + pp. index. append. illus. tbls. bibl. $ ISBN: –0–––2. This book is a substantial contribution to the fields of print studies and music history.

There are relatively few studies that deal with music anthologists them. Editing Music in Early Modern Editing Music in Early Modern Germany book. By Susan Lewis Hammond. Aldershot: Ash gate, [xviii, p.

ISBN 54[pounds sterling].] Someone, somewhere, has probably written an article, a thesis, maybe even a short monograph, on the humble piece of punctuation variously known as the colon, Doppelpunkt, or deux-points.

Book Reviews Editing Music in Early Modern Germany. By Susan Lewis Hammond. Aldershot: Ashgate. pp, 16 b/w illustrations. £ (hardback). T his excellent book combines the philologist’s method, offering up page after page of archival discovery and textual insight, with a cultural historian’s grasp of the various reception discourses of the new scholarship on early.

View Academics in music printing, early modern Germany, history of the book on Modern Germany a study of conflicting loyalties. by Paul Kosok. Want to read; 28 Currently reading; Published by Russell & Russell in New York.

Written in English Places: Editing Music in Early Modern Germany book, Germany. Subjects: Allegiance -- Germany, Germany -- Social conditions, Germany -- Politics and government -. Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy.

Like their counterparts in the world of classical learning, Renaissance music editors translated tex. IBR-Online Internationale Bibliographie der Rezensionen geistes- und sozialwissenschaftlicher Literatur [International Bibliography of Book Reviews of Schorlarly Literature in the Humanities and Social Sciences] editing music in early modern germany.

aldershot: ashgate publishing XVIII, p. Baroque music, which was the first music to use tonality in the modern sense, is also known for its ornamentation and artistic use of originated in Northern Italy at the end of the 16th century, and the style migrated quickly to Germany, which was one of the most active centers of early Baroque music.

Book Description. A Handbook of Editing Early Modern Texts provides a series of answers written by more than forty editors of diverse texts addressing the 'how-to's' of completing an excellent scholarly edition. The Handbook is primarily a practical guide rather than a theoretical forum; it airs common problems and offers a number of solutions to help a range of interested readers, from the.

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The interrelationship between music and literature reached its zenith during the Romantic era, and nowhere was this relationship more pronounced than in Germany. Many representatives of literary and philosophical German Romanticism held music to be the hi.

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The Top 10 German music acts of the new millennium # 7: Paul van Dyk. Paul van Dyk was born and raised in the former East Germany. In the s he was a major player on the German techno scene. I work as a developmental editor, copy editor, and indexer in the humanities and social sciences.

My freelance website is Recent projects include: Indexing for Carissa Harris, Obscene Pedagogies, Cornell University Press, forthcoming Indexing for Gregory Laski, Untimely Democracy, Oxford University Press, Developmental editing for a scholarly monograph in early modern.

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In this pioneering, erudite study of a pivotal era in the arts, Walter Frisch examines music and its relationship to early modernism in the Austro-German sphere.

Seeking to explore the period on its own terms, Frisch questions the common assumption that works created from the later s through World War I were transitional between late romanticism and high modernism.

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